There’s a quiet, heavy presence in the work of Khoren Keshishyan. An American-Armenian artist who originally trained as an architect at Yerevan’s State Architectural Institute, Keshishyan doesn't use his background to build rigid, technical worlds on canvas. Instead, he uses it to understand space—how bodies occupy it, how silence feels inside it, and how memory gives it weight.With over two decades in the studio and a portfolio spanning more than 20 solo and group exhibitions worldwide, Keshishyan has earned a distinct place in global contemporary art. His paintings—now held in prominent international galleries, museums, and private collections—consistently evoke a powerful tension between structure and vulnerability. His figures stand like solitary pillars, anchored in muted tones of sun-baked gold, ochre, and deep, cool blues. Some compositions feel as still and smooth as ancient frescoes, where refined contours and deliberate vertical lines give the subjects a timeless, almost statuesque gravity.In other works, that structural control gives way to something far more raw and visceral. Keshishyan scrapes and distresses the paint, exposing the rough textures underneath. Figures dissolve into streaks of cobalt, white, and eroded plaster, their faces obscured just enough to turn individual portraits into something universal. They look less like specific people and more like fragments of shared history, quiet moments of isolation, or memories being unearthed.Now based in Los Angeles, Keshishyan continues to expand his international reach. His art thrives right at the crossroads of precision and emotion—using the eye of an architect to build a home for the human spirit, and the hands of a painter to show just how fragile it can be.

Khoren Keshishyan

Runaways from Eternity, 24"x36" , mix media on board/canvas

Awakened Marble, 24"x36" , mix media on board/canvas

Graces of Erechtheion ,24"x36" , mix media on board/canvas

Sovereign Shadows, 24"x36" , mix media on board/canvas

Marble Beyond Time, 24"x36" , mix media on board/canvas

Silent Protocol 30" x 40" ,Oil on canvas 

Velvet and Fools, 24"x36" ,Oil on canvas 

The Florentine Keeper 24"x36" ,Oil on canvas 

Daughters of the Temple 40"x 48" ,Oil on canvas 

The Threshold of Silence 24"x30" ,Oil on canvas 

The Turquoise Equilibrium 18"x24" ,Oil on canvas 

"The world to me is a big theater where my characters have roles to enjoy with their dramatic, mysterious, joyful, or even grotesque images. My theater on canvas continues to present new, seemingly strange performances with the same enthusiasm and excitement." — Sam ZumianSam Zumian is a Los Angeles–based painter and graphic artist whose multidisciplinary practice spans oil painting, etchings, printmaking, and monochromatic works. Born in 1953 in Armenia, Zumian constructs a distinct philosophy of existence through his art, bridging classical technical execution with contemporary investigations into the human condition.Driven by a quest to claim the aesthetics of the unconscious and the raw laws of nature operating beneath conscious thought, Zumian strips away elaborate narrative plots to focus on one or two central figures embodying crucial, elemental forces. His canvases function as a theatrical stage where characters dangle from ropes, scale ladders, grasp onto spinning carousels, or move through passionate crowds. These dynamic, tension-filled movements keep the viewer in a state of continuous engagement—constantly questioning scenario, perspective, and motion.Zumian's entire body of work maintains a striking aesthetic signature: visual creations that are simultaneously clear, deeply mysterious, and subtly, deviously dreadful. By connecting the technical achievements of classical art traditions with modern visual inquiries, Zumian crafts timeless, endlessly enriching compositions that reveal new layers of meaning with every viewing.Selected Collections &amp; RecognitionZumian’s works are represented in over 25 public and institutional collections worldwide, including the National Gallery of Armenia, the Modern Art Museum of Armenia, and the Pushkin State Museum of Fine Arts in Moscow. He has exhibited extensively across North America and Europe, including solo and group exhibitions in Los Angeles, Paris, Athens, and Florence.

Sam Zumian

Dancing In My Birthday Suit, 16x18. Oil on canvas

For Brazilian visual artist Juliano Mazzuchini (b. 1981), painting is less about recording a static image and more about directing a dynamic physical presence. Originally trained in theater at the Escola Livre de Teatro de Santo André, Mazzuchini translates the vocabulary of the stage—body, gesture, spatial tension, and dramatic light—directly onto the canvas, treating the painted surface as a volatile theatrical space.Mazzuchini’s work inhabits the unstable boundary where figuration dissolves into abstraction. His process relies heavily on gesture, materiality, and deliberate erasure; surfaces are built up and stripped back, continuously reorganizing the image until his subjects oscillate between clear recognition and ghostly disappearance. This physical wrestling with paint transforms the canvas into a site of psychological friction, where figures emerge from or recede into dense color fields.Now living and working in São Paulo, Mazzuchini has established a vibrant international footprint across South America, Europe, and the United States. His exhibition history includes solo shows with Martha Pagy Escritório de Arte in Rio de Janeiro, Galerie 20 Thorigny in Paris, and CADAgaleria in Buenos Aires, alongside group presentations at prestigious institutions such as the Proa21 Museum, the Museo de Arte Contemporáneo de Buenos Aires (MACBA), and Guy Hepner. Shortlisted for The Hopper Prize and a finalist for the Prêmio Garimpo DASARTES, Mazzuchini continues to expand a rigorous practice that probes the weight, vulnerability, and fleeting nature of the human condition.

Juliano Mazzuchini

Menino e girasol, 2026. oil on canvas, 80x70 cm

Cabeça II, 2026, oil on canvas, 40x30 cm

German-born artist Ella S. creates intricate, tactile paintings that operate as portals into fantasy, symbol, and story. Raised in a family of artists, Sarkisyan’s early creative immersion led her to Yerevan, Armenia, where she honed her foundational craft at the Studio Art School before earning her Master of Fine Arts from Yerevan State University. Following her relocation to the United States in 1995, her debut at the Armenian Center of Contemporary Experimental Art marked the beginning of a prolific international career.Sarkisyan’s practice is defined by a sophisticated approach to texture, tone, and symbolic narrative. Building rich surfaces with distinct values, her canvases weave classical iconographies, literary echoes, and embedded phonetic phrases into elegant, mysterious compositions. As curator and art director Nicola Eremita notes, her work draws on the sensuality and mysticism of classical culture and Italian literature, striking an impressive visual harmony that reflects "the miracle of the renewal of life as well as the creativity of the artist."Now based in Los Angeles, Sarkisyan has garnered widespread critical acclaim across North America and Europe. Her distinguished honors include a Silver Medal at the 6th Venice Biennale Contemporary Art Exhibition (III Millennium Gallery Pavilion), recognition at the RomArt International Biennial, a West Coast Competition First Place award, and a Certificate of Recognition from the California Legislature Assembly. Through her seamless fusion of modern design sensibility and timeless mythology, Sarkisyan continues to craft compelling, narrative-rich works held in esteemed public and private collections globally.

Vsble